{"id":7,"date":"2022-05-09T00:20:10","date_gmt":"2022-05-08T22:20:10","guid":{"rendered":"http:\/\/vkcoihk.cluster031.hosting.ovh.net\/?page_id=7"},"modified":"2026-04-15T19:01:13","modified_gmt":"2026-04-15T17:01:13","slug":"acceuil","status":"publish","type":"page","link":"https:\/\/jeanmarcjezequel.fr\/","title":{"rendered":"Acceuil"},"content":{"rendered":"

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Jean-Marc J\u00e9z\u00e9quel<\/p>\n

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Peintre et sculpteur<\/p>\n

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Jean-Marc J\u00e9z\u00e9quel est un peintre et un sculpteur sur pierre.<\/p>\n

Originaire de Plouguerneau dans le Finist\u00e8re.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00a0\u00bbhttps:\/\/jeanmarcjezequel.fr\/index.php\/presentation\/\u00a0\u00bb button_text=\u00a0\u00bbEn savoir plus\u00a0\u00bb button_alignment=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb custom_margin=\u00a0\u00bb175px|||||\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb175px|||||\u00a0\u00bb custom_margin_phone=\u00a0\u00bb0px||||false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][dsm_perspective_image src=\u00a0\u00bbhttps:\/\/jeanmarcjezequel.fr\/wp-content\/uploads\/2026\/01\/jean-marc-jezequel-peintre-et-sculpteur.jpg\u00a0\u00bb alt=\u00a0\u00bbPortrait pictural expressif aux couleurs contrast\u00e9es sur fond bleu repr\u00e9sentant le style artistique de Jean-Marc J\u00e9z\u00e9quel.\u00a0\u00bb title_text=\u00a0\u00bbjean-marc-jezequel-peintre-et-sculpteur\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb dsm_rotate_y=\u00a0\u00bb-2deg\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bb62%\u00a0\u00bb motion_trigger_start=\u00a0\u00bbtop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/dsm_perspective_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ module_id=\u00a0\u00bbactualites\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#070707″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bb1450px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text module_id=\u00a0\u00bbactualites\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bb4f8f51b3-e7a1-4af2-95f6-a8f2473bce0b\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb\u00a0\u00bb text_font_size_phone=\u00a0\u00bb62px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Actualit\u00e9s<\/p>\n

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Du 1er juillet au 15 ao\u00fbt, Jacques Beydon et Jean-Marc J\u00e9z\u00e9quel investissent le s\u00e9maphore de l\u2019Aber-Wrac\u2019h et proposent une immersion dans un univers onirique, fa\u00e7onn\u00e9 \u00e0 partir de papier d\u2019imprimerie recycl\u00e9.<\/p>\n

[\/dsm_card_carousel_child][dsm_card_carousel_child title=\u00a0\u00bbSculpteur Invit\u00e9 \u00e0 la chapelle de Kerlouan\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/jeanmarcjezequel.fr\/wp-content\/uploads\/2026\/04\/Kerlouan_4_Ancienne_eglise_chapelle_Sainte-Anne-scaled.jpg\u00a0\u00bb image_background_position=\u00a0\u00bbtop\u00a0\u00bb image_popup=\u00a0\u00bboff\u00a0\u00bb button_url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb parent_button=\u00a0\u00bboff\u00a0\u00bb parent_header_level=\u00a0\u00bbh4″]<\/p>\n

Du 20 au 26 juin, chapelle Sainte-Anne.<\/span><\/p>\n

[\/dsm_card_carousel_child][dsm_card_carousel_child title=\u00a0\u00bbExposition \u00e0 l’atelier de Nannick et Jean Luc PAUL\u00a0\u00bb image=\u00a0\u00bbhttps:\/\/jeanmarcjezequel.fr\/wp-content\/uploads\/2026\/04\/expo-nannick.jpg\u00a0\u00bb image_background_position=\u00a0\u00bbtop\u00a0\u00bb image_popup=\u00a0\u00bboff\u00a0\u00bb button_text=\u00a0\u00bbInfos\u00a0\u00bb button_url=\u00a0\u00bbhttps:\/\/www.abers-tourisme.com\/agenda\/expo-de-jean-marc-jezequel-a-latelier-de-nannick-et-jean-luc-paul\/\u00a0\u00bb button_url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.6″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb parent_button=\u00a0\u00bboff\u00a0\u00bb parent_header_level=\u00a0\u00bbh4″]<\/p>\n

Autour des rakus de Jean-Luc et NANNICK, JEZ nous pr\u00e9sente ses pastels lumineux et profonds ainsi que quelques sculptures !<\/span><\/p>\n

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Peinture<\/p>\n

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Palimpseste<\/p>\n

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Les couleurs pastel sont synonymes de nuances d\u00e9licates, douces, tendres… eh ,bien\u00a0non\u00a0! Je ne les utilise pas de cette mani\u00e8re, au contraire, la confrontation des rouges vifs versus les bleus \u00e9lectriques<\/strong> donne des contrastes saisissants, cassants comme la verticalit\u00e9 d’une vague cr\u00e9\u00e9e par deux courants oppos\u00e9s.<\/strong><\/span><\/span><\/p>\n

Pour arriver \u00e0 ces formes g\u00e9om\u00e9triques simples, d\u00e9pouill\u00e9es, j’ai pos\u00e9 des couches et des couches de pastel, griff\u00e9 le papier, humidifi\u00e9 le dessin par de la laque.<\/strong> Ce vernis modifie , transforme les couleurs , les rend plus profondes, fait appara\u00eetre les couches ant\u00e9rieures, bouscule et \u00e9tonne mon regard qui m’entra\u00eene dans une nouvelle direction comme une photographie apparaissant dans le bac r\u00e9v\u00e9lateur.<\/span><\/p>\n

Peu ou pas de figuratif . Pas d’id\u00e9e pr\u00e9con\u00e7ue, pas d’esquisse en t\u00eate,<\/strong> plut\u00f4t une couleur qui servira de moteur, un soleil noir pour apprivoiser l’inconnu, une forme r\u00e9p\u00e9t\u00e9e\u00a0 pour m’ouvrir un horizon ? Couche apr\u00e8s couche, j’avance.<\/strong> J’avance en refusant un figuratif, cette figuration m’appesantit.<\/span><\/p>\n

Quelquefois pourtant, une forme \u00ab\u00a0figurative\u00a0\u00bb me permet de finir un tableau, de donner un titre et poser ma signature, mais souvent elle m’emp\u00eache d’avancer, bloque ma main\u00a0! <\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][dsm_perspective_image src=\u00a0\u00bbhttps:\/\/jeanmarcjezequel.fr\/wp-content\/uploads\/2026\/01\/jean-marc-jezequel-peintre-pastel-palimpseste.jpg\u00a0\u00bb alt=\u00a0\u00bb\u0152uvre picturale abstraite figurative repr\u00e9sentant deux silhouettes verticales stylis\u00e9es aux tons bleus et gris, trac\u00e9es par des gestes et griffures sur un fond rouge textur\u00e9.\u00a0\u00bb title_text=\u00a0\u00bbjean-marc-jezequel-peintre-pastel-palimpseste\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb dsm_rotate_y=\u00a0\u00bb-2deg\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bb62%\u00a0\u00bb motion_trigger_start=\u00a0\u00bbtop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/dsm_perspective_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bb57d62249-804b-472e-b6cb-120bf5b40e44″ background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb background_image=\u00a0\u00bbhttps:\/\/jeanmarcjezequel.fr\/wp-content\/uploads\/2022\/05\/detour-2.png\u00a0\u00bb background_enable_image=\u00a0\u00bbon\u00a0\u00bb background_size=\u00a0\u00bbcustom\u00a0\u00bb background_image_width=\u00a0\u00bb31%\u00a0\u00bb background_position=\u00a0\u00bbbottom_right\u00a0\u00bb background_horizontal_offset=\u00a0\u00bb2%\u00a0\u00bb background_vertical_offset=\u00a0\u00bb-1%\u00a0\u00bb background_blend=\u00a0\u00bbcolor-dodge\u00a0\u00bb height_phone=\u00a0\u00bb1000px\u00a0\u00bb custom_margin=\u00a0\u00bb|auto|150px|auto||\u00a0\u00bb border_radii=\u00a0\u00bbon|0px|0px|0px|0px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/jeanmarcjezequel.fr\/wp-content\/uploads\/2026\/01\/jean-marc-jezequel-peintre-pastel-mediterannee.jpg\u00a0\u00bb alt=\u00a0\u00bb\u0152uvre picturale abstraite \u00e9voquant un paysage marin, compos\u00e9e de larges zones bleues superpos\u00e9es, de formes horizontales sombres et de trac\u00e9s gestuels clairs sous un ciel lumineux.\u00a0\u00bb title_text=\u00a0\u00bbjean-marc-jezequel-peintre-pastel-mediterannee\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbf3b77beb-1c4d-4818-b837-4ad44d2ea0bf\u00a0\u00bb border_radii=\u00a0\u00bbon|0px|0px|0px|0px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_text module_class=\u00a0\u00bbtexte-cache\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb12px\u00a0\u00bb text_line_height=\u00a0\u00bb1.1em\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb17px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb13px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb text_letter_spacing_tablet=\u00a0\u00bb\u00a0\u00bb text_letter_spacing_phone=\u00a0\u00bb\u00a0\u00bb text_letter_spacing_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb filter_opacity__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n

M\u00e9diterran\u00e9e, 30x40cm
<\/strong><\/p>\n

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Y a-t-il du vide dans mes tableaux\u00a0? Je me pose la question. La force des pigments<\/strong> m’oblige \u00e0 aller vers des formes simples<\/strong> , d\u00e9pouill\u00e9es, \u00e0 aller vers mon abstraction. Ce travail que je nomme \u00ab\u00a0Palimpseste\u00a0\u00bb<\/strong> c’est \u00e0 dire des couches de pastel<\/strong> qui recouvrent d’autres couches et qui sont n\u00e9cessaires pour cr\u00e9er une histoire, une profondeur jusqu\u00a0‘a pouvoir graver, inciser, griffer<\/strong>. Ces palimpsestes enrichissent ma peinture et bousculent ce vide. Ces couches pos\u00e9es comme des s\u00e9diments<\/strong> qui ne s’effacent pas mais contribuent \u00e0 l’architecture du tableau.<\/strong><\/span><\/p>\n

Couches s\u00e9dimentaires\/s\u00e9diments de pastel.<\/span><\/p>\n

Flux et reflux<\/strong> de couleurs, flux et reflux de formes, recouvrement du sable\/papier, mar\u00e9e apr\u00e8s mar\u00e9e<\/strong> pour fixer des images\u00a0 comme celles que nous devinons dans les rochers anthropomorphiques de notre c\u00f4te \u00ab\u00a0Pagan\u00a0\u00bb<\/strong>.<\/span><\/p>\n


<\/span><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_id=\u00a0\u00bbnouveau\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bb57d62249-804b-472e-b6cb-120bf5b40e44″ background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb custom_margin=\u00a0\u00bb|auto|150px|auto||\u00a0\u00bb custom_padding=\u00a0\u00bb52px|41px|1px|40px||\u00a0\u00bb border_radii=\u00a0\u00bbon|0px|0px|0px|0px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][dsm_image_carousel gallery_ids=\u00a0\u00bb437,436,435″ slide_to_show=\u00a0\u00bb3″ speed=\u00a0\u00bb1200″ pause_on_hover=\u00a0\u00bbon\u00a0\u00bb show_lightbox=\u00a0\u00bbon\u00a0\u00bb show_lightbox_gallery=\u00a0\u00bbon\u00a0\u00bb arrow_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb dots_horizontal_placement=\u00a0\u00bb-32px\u00a0\u00bb dots_active_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb dots_inactive_color=\u00a0\u00bb#6B6B6B\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/dsm_image_carousel][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ module_id=\u00a0\u00bbchapelle\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bb57d62249-804b-472e-b6cb-120bf5b40e44″ background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/jeanmarcjezequel.fr\/wp-content\/uploads\/2026\/01\/jean-marc-jezequel-peintre-pastel-blanc-bleu-scaled.jpg\u00a0\u00bb alt=\u00a0\u00bb\u0152uvre picturale abstraite domin\u00e9e par des tons blancs et bleus, avec une surface fortement textur\u00e9e, des trac\u00e9s superpos\u00e9s et une bande horizontale bleue en partie basse.\u00a0\u00bb title_text=\u00a0\u00bbjean-marc-jezequel-peintre-pastel-blanc-bleu\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbf3b77beb-1c4d-4818-b837-4ad44d2ea0bf\u00a0\u00bb border_radii=\u00a0\u00bbon|2px|2px|2px|2px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_image src=\u00a0\u00bbhttps:\/\/jeanmarcjezequel.fr\/wp-content\/uploads\/2026\/01\/jean-marc-jezequel-peintre-pastel-rouge-bleu-scaled.jpg\u00a0\u00bb alt=\u00a0\u00bb\u0152uvre picturale abstraite compos\u00e9e de deux larges zones horizontales, une rouge en partie sup\u00e9rieure et une bleue en partie inf\u00e9rieure, avec une texture marqu\u00e9e et des traces gestuelles visibles.\u00a0\u00bb title_text=\u00a0\u00bbjean-marc-jezequel-peintre-pastel-rouge-bleu\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbf3b77beb-1c4d-4818-b837-4ad44d2ea0bf\u00a0\u00bb custom_margin=\u00a0\u00bb26px||8px|||\u00a0\u00bb border_radii=\u00a0\u00bbon|0px|0px|0px|0px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text module_class=\u00a0\u00bbtexte-cache\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bb|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.1em\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb17px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb17px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb text_letter_spacing_tablet=\u00a0\u00bb\u00a0\u00bb text_letter_spacing_phone=\u00a0\u00bb\u00a0\u00bb text_letter_spacing_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb filter_opacity__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb filter_opacity__hover=\u00a0\u00bb100%\u00a0\u00bb]<\/p>\n

Ma sensibilit\u00e9 s’exprime \u00e0 travers la peinture et la sculpture.<\/strong><\/p>\n

L’attitude de l’humain<\/strong> face au d\u00e9r\u00e8glement climatique me questionne et s’est donc impos\u00e9e comme th\u00e9matique principale de mon travail actuel.
J’ai choisi le pastel comme m\u00e9dium pour exprimer mes <\/strong>sentiments<\/strong>, la profondeur des pigments m’entra\u00eenent vers des formes simples, d\u00e9pouill\u00e9es \u00e0 la limite de l’abstraction. Les rouges
vifs versus les bleus \u00e9lectriques produisent des contrastes saisissants, lumineux semblable \u00e0 la verticalit\u00e9 de la vague n\u00e9e de courants oppos\u00e9s<\/p>\n

Les couches de peinture recouvrent d’autres couches de peinture \u00e0<\/strong>
la mani\u00e8re d’un palimpseste en cr\u00e9ant une histoire.<\/strong><\/p>\n

[\/et_pb_text][et_pb_image src=\u00a0\u00bbhttps:\/\/jeanmarcjezequel.fr\/wp-content\/uploads\/2026\/01\/jean-marc-jezequel-peintre-pastel-bleu-bleu-scaled.jpg\u00a0\u00bb alt=\u00a0\u00bb\u0152uvre picturale abstraite domin\u00e9e par des tons bleus et turquoise, structur\u00e9e par des formes g\u00e9om\u00e9triques angulaires, des bandes horizontales superpos\u00e9es et une texture gestuelle marqu\u00e9e.\u00a0\u00bb title_text=\u00a0\u00bbjean-marc-jezequel-peintre-pastel-bleu-bleu\u00a0\u00bb show_in_lightbox=\u00a0\u00bbon\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbf3b77beb-1c4d-4818-b837-4ad44d2ea0bf\u00a0\u00bb border_radii=\u00a0\u00bbon|0px|0px|0px|0px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#070707″ height_tablet=\u00a0\u00bb940px\u00a0\u00bb height_phone=\u00a0\u00bbauto\u00a0\u00bb height_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb max_height=\u00a0\u00bb4000px\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb-1px||||false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb0px||||false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ custom_padding_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bb57d62249-804b-472e-b6cb-120bf5b40e44″ custom_margin=\u00a0\u00bb|auto|14px|auto||\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb96px|41px||40px|false|false\u00a0\u00bb border_radii=\u00a0\u00bbon|0px|0px|0px|0px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bb0aff1410-4c22-406e-b4d0-809f1715033f\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb-160px||||false|false\u00a0\u00bb custom_margin_phone=\u00a0\u00bb-69px||||false|false\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|tablet\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Bestiaire<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.19.5″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb20px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Dessin original sur papier Arche 300gr 32×26 (dessin : 23×17)<\/strong><\/p>\n

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P\u00e9r\u00e9grination picturale avec mon carnet de croquis
<\/span><\/span><\/p>\n

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Je dessine \u00ab\u00a0la b\u00eate\u00a0\u00bb sans en d\u00e9tacher mon regard, ma main dessine ce que je vois mais je ne vois pas ce que je dessine. La surprise est totale.<\/p>\n

 <\/p>\n

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Sculpture<\/p>\n

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F\u00ealures<\/p>\n

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Quel regard portons-nous sur ces \u00e2mes bris\u00e9es\u00a0?<\/strong><\/em>
Osons-nous les regarder et y faire face\u00a0?<\/em>
Ces nus en terre<\/strong> sont comme un miroir de v\u00e9rit\u00e9,<\/em>
elles nous renvoient \u00e0 nos propres d\u00e9chirures int\u00e9rieures<\/strong>, celles que l\u2019on voit, celles que l\u2019on n\u2019a pas vu, celles que l\u2019on ne veut pas voir, celles que l\u2019humanit\u00e9 ne veut pas voir.<\/em><\/p>\n

Pourtant ces femmes portent un visage serein,<\/strong><\/em>
peut-\u00eatre que tout d\u00e9pend de notre regard\u00a0sur la vie\u00a0?<\/em>
Ce qu\u2019elles viennent toucher en nous, ce sont nos propres blessures. En regardant ces \u00e2mes ab\u00eem\u00e9es nous pouvons simplement les reconna\u00eetre dans ce qu\u2019elles portent et les aimer pour ce qu\u2019elles sont, un t\u00e9moignage d\u2019un parcours de vie qui fait \u00e9cho au notre<\/strong>.<\/em><\/p>\n

Ces sculptures nous invitent \u00e0 l\u00e2cher prise ! Nous pouvons les remercier et accueillir en nous la transformation de notre regard. Alors, au-del\u00e0 de l\u2019\u00e2me bless\u00e9e,<\/em>
nous contactons l\u2019\u00catre dans son essence pure et intacte qui est Amour<\/strong>. L\u2019Amour que nous avons tant cherch\u00e9 pour panser nos blessures, cet Amour qui est en nous-m\u00eames et que nous avons oubli\u00e9, cet Amour est l\u00e0, devant nous !<\/strong><\/em><\/p>\n

Oserons-nous le regarder?<\/em><\/p>\n

Oserons-nous le recevoir?<\/em><\/p>\n

 <\/p>\n

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\u00c2mes f\u00eal\u00e9es, \u00e9br\u00e9ch\u00e9es jour apr\u00e8s jour<\/strong>, petit \u00e0 petit par les minuscules vexations de la vie ou soudainement d\u00e9chir\u00e9es.
Dans la continuit\u00e9 des Femmes qui tombent<\/strong>, je donne \u00e0 voir la fragilit\u00e9 de l’Humain. Mes nus en terre s’offrent au regard sans masque : leurs d\u00e9chirures int\u00e9rieures mat\u00e9rialis\u00e9es par ma main.
Ces sculptures r\u00e9sonnent en nous, nous attirent ou nous repoussent.<\/strong>
Parfois enserr\u00e9es entre des barreaux, ces \u0153uvres \u00e9voquent les prisons de certains quotidiens : addictions, violences, repli sur soi<\/strong>.
Pas de visage douloureux, pas de sang seulement la b\u00e9ance des corps ouverts, vides, que l’amour et l’affection ne nourrissent pas, ne remplissent pas, plus\u2026
Mais \u00e0 qui nos yeux donnent vie.<\/p>\n

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Femmes qui tombent<\/p>\n

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Ces corps<\/strong> parfois clairement f\u00e9minins<\/strong>, parfois androgynes<\/strong> sont tout en lignes nerveuses, anguleuses, esquiss\u00e9es<\/strong> – lignes qui rappellent mon coup de crayon.
Dans cette recherche, j’explore une forme proche du croquis<\/strong>. J’utilise ma technique pour abandonner les canons classiques<\/strong> : mains d\u00e9lib\u00e9r\u00e9ment trop grandes et charg\u00e9es d’expressivit\u00e9, t\u00eates \u00e9tonnamment fines et graciles couronnant des corps en d\u00e9s\u00e9quilibre mais massifs<\/strong>.
Les pi\u00e8ces qui composent Femmes qui tombent sont l’aboutissement d’une longue p\u00e9riode de maturation. Elles sont devenues une \u00e9vidence pour moi mais elles ne se r\u00e9v\u00e8lent pas facilement \u00e0 moi. Des mois s’\u00e9coulent avant que je ne trouve la forme juste, le juste \u00e9tat de la mati\u00e8re.
\u00c0 coup de disqueuse, j’incite ses femmes \u00e0 abandonner leur carapace<\/strong>, \u00e0 d\u00e9voiler leur d\u00e9s\u00e9quilibre, leur fragilit\u00e9. Fragiles comme nos d\u00e9mocraties, \u00e0 l’image du granit que l’on croit inalt\u00e9rable et qui pourtant casse : pr\u00eate \u00e0 tomber comme Anna Politkovska\u00efa en Russie ou comme l’Humanit\u00e9 dans l’univers concentrationnaire.
Chute amorc\u00e9e, souffle retenu dans l’entre deux<\/strong>.
Ces Femmes qui tombent nous offrent des visages sereins, nous pouvons encore les retenirs.<\/strong><\/p>\n

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M\u00e9morial \u00e0 Brest<\/p>\n

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R\u00e9alisation d’une sculpture monumentale en comm\u00e9moration des victimes de l’amiante<\/strong>.
Cette st\u00e8le se pr\u00e9sente sous la forme d’un diptyque.
Les deux pans – l’un massif et granitique, l’autre, plus l\u00e9ger et translucide<\/strong> – visent, \u00e0 livrer un double message : le refus de l’oubli et le besoin d’espoir<\/strong>.
Des\u00a0 objets amiant\u00e9s<\/strong>, collect\u00e9s par l’Adeva, y sont d\u00e9finitivement emprisonn\u00e9s<\/strong> dans la r\u00e9sine, par similitude \u00e0 la technique de l’inertage, pr\u00e9sente au coeur des pratiques de d\u00e9samiantage. Cette inclusion conforte le principe du \u00ab\u00a0plus jamais \u00e7a !\u00a0\u00bb<\/strong>.<\/p>\n

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Cours<\/p>\n

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Peinture et sculpture<\/p>\n

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Cours pour adultes dans le cadre de l’association
Familles Rurales.<\/p>\n

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Jean-Marc J\u00e9z\u00e9quelPeintre et sculpteurJean-Marc J\u00e9z\u00e9quel est un peintre et un sculpteur sur pierre. Originaire de Plouguerneau dans le Finist\u00e8re.

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\u00bbS\u00e9maphore<\/h4>\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-7","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/jeanmarcjezequel.fr\/index.php\/wp-json\/wp\/v2\/pages\/7","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jeanmarcjezequel.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jeanmarcjezequel.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jeanmarcjezequel.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jeanmarcjezequel.fr\/index.php\/wp-json\/wp\/v2\/comments?post=7"}],"version-history":[{"count":161,"href":"https:\/\/jeanmarcjezequel.fr\/index.php\/wp-json\/wp\/v2\/pages\/7\/revisions"}],"predecessor-version":[{"id":450,"href":"https:\/\/jeanmarcjezequel.fr\/index.php\/wp-json\/wp\/v2\/pages\/7\/revisions\/450"}],"wp:attachment":[{"href":"https:\/\/jeanmarcjezequel.fr\/index.php\/wp-json\/wp\/v2\/media?parent=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}